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Sep 02 2005 - 16:00

Foyer dell’Auditorium Fausto Melotti

The Myth Trilogy

MICHELE ABBONDANZA and ANTONELLA BERTONI

Elena Cervellati, researcher and author of the recent publication Abbondanza Bertoni published by L’Epos – Dance for Word/Dance Forward series, will lead the discussion.

“Let us contrast analogy-metaphor with illustration, more by association than by description. We wander in the twilight of the shapes and movements around us, seeking in reproducing them those ‘living’ vibrations they generally conceal: shapes that beings and things do not normally reveal.”

— Antonella Bertoni and Michele Abbondanza



With Polis, Michele Abbondanza and Antonella Bertoni conclude their journey around the myth, in search of the essence of sacrifice as a tragic dimension of love.

The individual experience of eros, elevated to a universal experience through myth, reveals on one hand the inevitability of the bond of love capable of surviving the sacrifice of the lovers themselves, and on the other hand, the fragility of the boundaries between self and other, between personal feeling and common sentiment.

With this trilogy, the two dancers lead us through the trials of a love that irreversibly alters the consistency of time, the shape of bodies, the rhythm of movements, declaring the impossibility of remaining inert, of maintaining a detached, neutral, objective view of oneself and the world.

After an initial training in New York with Alwin Nikolais and Merce Cunningham, Michele Abbondanza joined Carolyn Carlson’s experience at Teatro La Fenice in Venice in the early '80s, before founding the group Sosta Palmizi with some of the company’s dancers.

The meeting in 1988 with Antonella Bertoni, a dancer trained between Rome and Paris, marks the beginning of an artistic collaboration that leads to the foundation of the Abbondanza/Bertoni Company in 1995, opening a significant chapter in the Italian choreographic landscape.

In 2002, Abbondanza/Bertoni premiered Alcesti, the first part of the project Ho male all’altro, freely inspired by Greek mythology, which continues in the 2003/2004 season with a second choreographic work on the myth of Medea.