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Sep 09 2005 - 16:00

Foyer dell’Auditorium Fausto Melotti

From Raga to John Coltrane and Joan Baez

ANNE TERESA DE KEERSMAEKER

Lanfranco Cis and Paolo Manfrini, artistic directors of Oriente Occidente, will lead the discussion.

“Once I had a sweetheart, and now I had none
He’s gone and leave me, he’s gone and leave sorrow and moan
Last night in sweet slumber I dreamed I did see
My own precious jewel sat smiling by me
And I awakened I found it not so
My eyes like some fountain with tears overflow
I’ll venture through England, through France and through Spain
All my life I will venture the watery main
Once I had a sweetheart...”

Once, Joan Baez

From the music of Steve Reich to the scores of Thierry Ann de Mey, through the works of Monteverdi, Bach, and Mozart, and extending to Bartók and the jazz of Miles Davis, music has been a crucial element in the representation and creation of choreography from the earliest works of Belgian choreographer Anne Teresa De Keersmaeker. While Desh oscillates between the jazz of John Coltrane and Indian sacred music, in Once, it is the vibrations of Joan Baez's voice that accompany the disarmingly delicate movements of Anne Teresa De Keersmaeker.

After initial training at Maurice Béjart's MUDRA, Anne Teresa De Keersmaeker attended the Tisch School of the Arts in New York. Upon her return to Europe in 1982, she presented Fase, Four Movements to the Music of Steve Reich, which introduced her to major international dance festivals.

In 1983, she founded Rosas, the company of which she remains both a performer and choreographer.

In 1995, she established P.A.R.T.S. (Performing Arts Research & Training Studios) in Brussels, which has firmly established itself within the tradition of major contemporary dance schools in Europe and around the world.