Sindri Runudde, a blind artist of Swedish origin, spent a residency period at CID in May 2019 to develop and deepen his
practice of improvisation.
A research process born from a creation developed by the choreographer three years ago with
interactive sound-piece, a platform with contact microphones that amplify the sounds of the body.
The basic ideas within this creative process are
sensory exploration and tactility as a guide to expand physical awareness and be able to compose and
choreograph through touch.
The choreographer at CID has deepened above all the idea of
sound as touch, the
connection between sound and movement by sharing this research period with
electroacoustic composer Marta Forsberg and a group of
local volunteers.
